Product design + brand identity

Unlost: from a skin sample in the field to living cells at −196 °C

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Unlost banks living cells from endangered animals before they are gone: a skin biopsy in the field, a cold chain to a −196 °C vault, the cells grown and frozen alive. We built it from scratch: the name and the world of cleared specimens, the mark in Rive, the Field app for the vet and the Vault console for the lab, specimens in Blender on real museum scans and CT, and the launch.

Project
An Alterra Studio project: we built the company's brand, product and launch from scratch
Stage
Conservation biotech, pre-launch
Services
Naming, the world, logo and app icon, the Field app and its edge states, the Vault console, specimens in Blender, the clearing sweep, Rive motion, the product film, the board, applications
Tools
Blender on CC0 and CC BY museum scans and CT, Rive, HTML screens rendered with Playwright, three.js, Nano Banana for the key art and the photo plates
01The idea

Glass for the record, emerald for what lives

Unlost banks living cells from endangered animals before they are gone. Its world is the cleared specimen: flesh made clear as glass, bone stained magenta, and one emerald spark where the cells are alive.

The great auk mount, half cleared: behind a hairline slice plane its feathers have turned to clear glass and magenta-stained bone

Pinguinus impennisGreat auk · the Icelandic Institute of Natural History's mount, model by Nils Gies, CC BY 4.0 · cleared in Blender

Slice 03 / 10Clearing

Drag the slice across the bird. Let go past its heart and the cells light up.
02The brief

A sample the size of a grain of rice

Every biobank asks donors to fund a freezer; our partners need to see a sample go from a named animal to living cells in the vault, with a receipt, not another photo of a dewar in fog.

Unlost banks living cells from endangered animals: a biopsy in the field, a cold chain to the vault, the cells grown and frozen alive. The same vault backs its revival programmes.

We built the company from scratch: the name, the world, the mark, the Field app for the vet, the Vault console for the lab, the specimens in Blender, the motion in Rive, and the launch.

92%

of skin biopsies from six endangered wild Chilean mammals grew into healthy cell lines. Samples kept at 4 °C for a week in the field still grew.

Source: Tovar et al., In Vitro Cell. Dev. Biol., 2008

32 years

between a ferret's cells going into the Frozen Zoo in 1988 and Elizabeth Ann, cloned from them, being born in December 2020.

Source: US Fish and Wildlife Service, 2021

1,337

species are banked as living cell lines in the oldest frozen zoo, from over 11,500 animals, in liquid nitrogen.

Source: San Diego Zoo Wildlife Alliance, 2025

We scored ten funded homepages in the category. They average 13.0 out of 24, and none shows that a stored cell is alive. Here is what they share, and what Unlost leaves out.

7 of 10
A mood photo or video of an animal, a field or a microscope as the hero
6 of 10
A slogan or a promise about life and the future
5 of 10
A cold blue glow over a fifth of the first screen
2 of 10
Steel tanks in nitrogen fog and gloved scientists
2 of 10
Animals as backdrop, with no name and no record
03The name

Lost, then unlost

A register of animals we have lost, each struck through at the year of its last record. One strike can be lifted, because that animal's cells are already banked.

Point at a line to read what is left. Only one strike lifts.

Years of last record and the cell lines: Oxford University Museum of Natural History, Natural History Museum, London, British Birds, South African History Online, Smithsonian NMNH, Tasmanian Museum and Art Gallery, AmphibiaWeb, National Geographic, Scientific American, San Diego Zoo Wildlife Alliance.

04Field

The vet's app, from the animal to the vault

Identify the animal, take the sample, seal the kit, and follow it until the lab says the cells are alive. Tap through it as Anna, a wildlife vet, sampling Nola, a kākāpō.

Unlost Field

01Identify. Her microchip reads Nola, a kākāpō.

Tap the phone or Play. The last screen waits for the stain.

Field, sample: seven numbered steps, the time in hand, and the critical step marked
Sampling stresses the animal, and I won't risk a critically endangered bird for a tube.

The sample screen is seven numbered plain sentences, from spreading the wing to a small punch from the wing web away from any vessel, gluing the site and keeping the tube cold but never frozen. A timer shows how long the bird has been in hand, and the step that matters most is marked critical.

Field, the moment: her cleared chest lit where the live-cell stain glows, the share alive and the vault label
We'd be paying to freeze tubes. How do we know the cells are alive, and will still be in 30 years?

When the lab confirms the culture, her cleared chest lights where the live-cell stain glows green. One line underneath gives the share alive and how many cells were banked, and the vault label comes with it. If a culture fails, the same screen says why and plans the next sample.

The product film: the whole field day in 20 seconds.
Anna holds Nola, a kākāpō, in a misty forest; her phone shows Nola's profile
On Whenua Hou, with Nola.

Every edge state, designed

A kit left on a hot tarmac, a culture that never grew, a logger that goes quiet in flight: each has its own screen, so the vet always knows what happened and what to do next.

Field, samples: Anna's season, each bird with its state on the right
Field, an excursion: above 8 °C for 6 minutes on the tarmac, with a note for the lab
Field, no growth: the culture was contaminated on day 3, so no cells were banked
Field, Nola's profile: her record, her samples and her cleared chest
05Cold chain

Between 2 and 8 °C, the whole way

One logger rides with the sample, from the island by helicopter, plane and van to the vault. The vet watches it on her Lock Screen; the lab sees who held it, and how warm it got.

Nola's sample, 4 h 51 min

Move along the trace to read the chain of custody. Then see the day it sits too long on the tarmac.

Time
15:12
Inside the kit
4.6 °C
Who has it
The vault van
Christchurch Airport to the vault
The logger's model from the Field screens: a reading every two minutes, the flight backfilled on landing.
The field kit, rendered in Blender, with the live Field screens on its phone.
The Lock Screen with the cold-chain Live Activity: 4.6 °C and at the vault 15:35
The Live Activity.
The Dynamic Island, expanded: the temperature and the arrival time
The island.
06Vault

The lab's console, and a specimen you can cut

Racks and positions, every species as a cleared specimen, lineage and diversity, and the revival programmes. The species viewer is live below, on a real CT.

Vault, the thylacine programme: edit tracks on a karyotype and a gestation clock
Vault, species: the great auk cleared, the slice plane and the skin-to-bone density
Vault, lineage: a sample's family tree, each edge saying what was done
A revival programme, the species viewer and a sample's lineage.
Vault, racks: dewar 3 from above, Rack C, Box 12 drawn as a box, one position open to its bird
Samples arrive with no paperwork, and I can't tell whose cells are in which box.

The vault draws the dewar from above and the box as a box. Pick a position and it opens to the bird, the tube code, the share of cells alive, who froze it and when, and who sampled her, where and on what day. Every vial that went in or out today is in the box's log.

A thylacine pouch young, cleared: a glass body over magenta-stained bone, built from a real micro-CT

Thylacinus cynocephalusPouch young AMS P762, 12 weeks · micro-CT, Newton et al. 2018, CC0

The CT loads as you arrive

The species viewer, live

A thylacine pouch young from a real micro-CT. Drag to turn it, move the slice through it, and sweep from skin to bone.

Triangles
264,000
Length
265 mm
Download
1.8 MB

1,364 CT slices meshed at two densities, skin and bone, and coloured by the bone's own density. 1.8 MB, loaded only when you get here.

The dewar at −196 °C, rendered in Blender. One vial is alive.
The culture, as code: every cell is born by division and settles along one field.
07Identity

A flask, and one living cell

The mark is a flask with a dot. The dot is the only part that ever turns emerald, and only when something is alive.

The logo, live in Rive

A drop falls into the flask, blooms into the dot, turns emerald and beats once. Point at it, or tap it, to play it again.

The same moment in glass, rendered in Blender. Its last frame cuts into the Rive performance.
The Unlost app icon: the glass flask with an emerald dot, on black
The app icon.
The Unlost X header: cleared specimens on black
The header.
08The world

Specimens, cleared

Every animal is shown the way a cleared-and-stained specimen is: clear tissue, magenta bone, blue cartilage, on black. Built in Blender on real museum scans and CT.

The key art: a young great auk, cleared, in a glass specimen jar, its heart lit emerald
The key art.
A dodo, cleared: a glass body around a magenta skeleton
A dodo: the skeleton from a museum scan, the body sculpted around it.
A woolly mammoth, cleared: glass body, stained skeleton, bare tusks
A woolly mammoth on the Smithsonian's skeleton scan.
A thylacine pouch young, cleared, from the real micro-CT
The thylacine pouch young, from the CT.
The field sample case, open: a biopsy punch, two vials and the QR seal area
The field kit.
A black anodised cryovial rack, one vial lit emerald
The rack.
The liquid nitrogen dry shipper in black anodised metal
The dry shipper.
The palette as stained microscope slides: cleared skin, a femur in alizarin, rib cartilage in alcian blue, eye pigment and living cells in calcein

Specimen black

The ground of every screen and print, about 60 %

  • Glass16.0:1
  • Bone3.5:1
  • Cartilage4.2:1
  • Alive11.8:1

Colour is evidence: each one is a stain, and each stain has one job. Pick a slide or a colour to see the others on it; each pick copies its hex.

Every colour is a real stain

In a cleared-and-stained specimen, potassium hydroxide clears the soft tissue, alizarin red binds the calcium in bone and alcian blue stains cartilage; the specimen is kept in glycerol (Rigueur and Lyons, 2014).

The emerald is calcein: living cells turn it into a green fluorescent dye, and dead ones cannot (Thermo Fisher, LIVE/DEAD kit). So on Unlost, green only ever means alive.

09Applications

Posters, a lightbox and the field vest

One lost animal to a poster, the cleared auk in a museum hall at night, and the specimen in glass ink across the field team's backs.

Poster: Thylacine, cleared, curled; We grow a skin sample smaller than a grain of rice into millions of living cells
Poster: Dodo, cleared; We keep living cells at −196 °C until a species can come back
Poster: Golden toad, cleared; Nobody saved a golden toad's cells. We bank living cells from animals still here
A poster series: one lost animal each.
A museum hall at night: a visitor before a lightbox of the cleared great auk in its jar
A museum lightbox.
The back of a field team vest: the mark and a cleared thylacine printed in glass ink
The field team's vest.
10How it's built

From museum scans to live screens

The bodies are real scans and CT, the clearing is a Blender material, the motion is Rive, and every screen is live HTML on one token file.

The pipeline

1 · Real bodies
A photogrammetry scan of the great auk mount (280,000 triangles), a micro-CT of a thylacine pouch young (1,364 slices at 0.197 mm), and museum skeleton scans of a dodo and a mammoth. Every licence checked at its source.
2 · Cleared in Blender
Tissue is a thin shell whose opacity follows the path length through it, so it is clear face-on and milky at the edge. Bone takes alizarin by its measured thickness; cartilage takes alcian blue at the joints.
3 · The clearing sweep
A hairline plane steps across the bird ten times. Behind it the feathers dissolve and the stained skeleton appears; then the cells light, one by one. 300 frames, seamless.
4 · Rive
The mark is the traced vector, animated as is: the drop, the bloom, the ignition and one heartbeat, in one file of artboards with no state machine.
5 · Live HTML
Field and Vault are HTML screens on one tokens.css, rendered with Playwright, so the film, the board and this page all show the real screens.
The clearing sweep, one frame every 0.1 seconds: the plane crosses, the bird clears, the cells light and the feathers return
The sweep, one frame every tenth of a second. Great auk: Icelandic Institute of Natural History, model by Nils Gies, CC BY 4.0.

Three directions for one screen

The moment the cells are alive was drawn three ways: the specimen as the ground, the stain as the hero, and the result as a card to keep. The shipped screen, at the end of the prototype above, takes the ground from the first, the evidence from the second and the label from the third.

Direction A: the specimen is the ground
A · the specimen.
Direction B: the calcein stain is the hero
B · the stain.
Direction C: the result as a card to keep
C · the record.
The product kit: colour by source, type, parts and rules for Field and Vault
One kit for both apps: colour by source, type, parts and the rules.
11The board

The identity board, as a 10-second film

The field kit, the sweep, the register, the culture, the logo, the vest and the slides, each cell its own medium.

One emerald moment at a time, and it loops for LinkedIn and X. Great auk: Icelandic Institute of Natural History, model by Nils Gies, CC BY 4.0.

Social

The brand in the feed

A mockup of how the brand would run on X. Not a live account.

Unlost avatarFollow

Unlost

@unlost

We bank living cells from endangered animals before they are gone. Field to vault, −196 °C. Nothing alive is lost for good.

unlost.bioJoined October 2026

61 Following2,418 Followers

Pinned

Unlost @unlost · Oct 23

Meet Unlost. We keep living cells from animals still here, so they are never only a record.

Unlost @unlost · Oct 24

A 3 mm skin punch, a sealed kit, a logger the whole way. This is Field.

Unlost @unlost · Oct 25

Lost in 1662, 1936, 1989. Three posters for the museum shop.

Unlost poster: the dodo, clearedUnlost poster: the thylacine pouch young, cleared
12Specimen data

Specimen data and credits

The specimens are real, and their scans are shared under open licences. Here is who made them.

Credits

Great auk, mounted specimen (Pinguinus impennis): Náttúrufræðistofnun Íslands, the Icelandic Institute of Natural History; 3D model by Nils Gies. CC BY 4.0. Source. Cleared, re-coloured and animated by Alterra Studio.

Dodo skeleton (Raphus cucullatus), Muséum national d'Histoire naturelle, Paris: Micro-Folie. CC BY 4.0. Source. The body around it is sculpted by Alterra Studio.

Thylacine pouch young AMS P762, 12 weeks (Thylacinus cynocephalus), micro-CT: Newton et al. 2018, Royal Society Open Science. CC0. Zenodo 5031261.

Woolly mammoth skeleton (Mammuthus primigenius): Smithsonian National Museum of Natural History. CC0. Smithsonian 3D. The body around it is sculpted by Alterra Studio.

Method

The category audit

We scored 10 funded conservation-genomics, biobanking and revival companies on our startup homepage benchmark. None shows that a stored cell is alive.

Each homepage was scored on 12 criteria, 0 to 2 each, at 1440 and 390 pixels wide. The group averages 13.0 out of 24, below the 14.1 of our wider benchmark, and 7 of 10 open on a mood photo or video.

None shows where a sample came from on the first screen, none says what it does in five seconds at both widths, and only one shows its product working up top. Unlost's key screen is built for the first two: a named animal's sample, and her cells shown alive.

Homepage score out of 24 (12 criteria, 0 to 2 each): 10 funded conservation-genomics, biobanking and revival companies, October 2026
  1. Company A19
  2. Company B19
  3. Company C18
  4. Company D16
  5. Company E14
  6. Company F10
  7. Company G10
  8. Company H9
  9. Company I8
  10. Company J7
  11. Benchmark average, 100 startups14.1

Alterra Studio startup website benchmark 2026. Companies are anonymised.

The offer

What we'd ship

For a real science company, this is Brand + Product design.

Brand
The name, the world, the mark and its motion, the palette as stains, type and the voice
Product
Field for the vet and Vault for the lab, every edge state included, on one token file
3D and motion
Specimens built in Blender on real scans, the clearing sweep, product renders and the Rive mark
Launch
The product film, the board, posters, a museum lightbox, the field kit and the X profile
After this

What's next

  1. Test Field with vets in the field on gloves, in rain and on a sunny cliff, before the first season.
  2. Build the public Atlas every banked species, free to explore, each with its revival status.

Want this for your company?

Book 30 minutes. We'll tell you what we'd change first in your brand and on your first screen, and what it would cost.

Book a call, get a price range

Curious how your site compares? Run the same audit on your site